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High resolution and stereo sound: www.youtube.com Alessandro Scarlatti (1660 – 1725) “Caldo sangue” Sedecia, Re di Gerusalemme Oratorio in 2 parts Libretto: Filippo Ortensio Fabbri In this recording: Cecilia Bartoli Les Musiciens du Louvre, Marc Minkowski Decca, 2004/2005 Bartoli sings “langue” instead of “manca” at 2:43 time mark, towards the end of the B section. Score: Can be found in this compilation of arias: www.scribd.com “Sedecia, Re di Gerusalemme (performed in 1705 in Urbino, and brought to Rome the following year by Cardinal Ottoboni for a performance at the Seminario Romano)introduces us into a world of dramatic violence.
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The libretto is based on the Biblical account of the siege of Jerusalem by Nebuchadnezzar, King of Babylon, a tale in which King Zedekiah is the incarnation of infidelity and idolatry punished by heaven. Tragedy reigns in “Caldo sangue”, when Ishmael, struck down by Nebuchadnezzar’s dreadful fury, breathes his last. This is an aria of extraordinary expressive force whose bold harmonies have no descriptive purpose, but are transformed into poetry, pure and simple. In the central section, the vocal line is movingly emphasised with some violently vehement writing. This only lasts a moment, however, as the vital energy gradually fades, the aria ending in a spectral pianissimo.” – Claudio Osele “As a genre, Scarlatti’s oratorios fared rather poorly in the early-music revival of the last century. Although we can confidently attribute around Video Rating: 4 / 5.